workshops
alongside her performance and choreographic work, june regularly teaches workshops, intensives and professional training programs in france and internationally.
recent teaching engagements include studio harmonic (paris), acts, la fabrik, centre chorégraphique james carlès (toulouse), movemelt (toulouse), cf adage (bordeaux), formation sophie dalès, company wolf, locum cracovia (poland), kyoto contemporary ballet (japan).
upcoming teaching engagements will include cobosmika (spain), elephant in the black box (spain), henny jurriens studio (amsterdam) and also projects on reunion island.
each workshop is adapted to the dancers, the context and the duration of the encounter. sessions may focus on movement practice, repertoire, improvisation, creative processes or the relationship between narrative and physicality.
the objective is not only to develop technical and artistic tools, but also to cultivate curiosity, individuality and a deeper relationship to movement.
workshops
drawing from her experience across stage, film and movement direction, june approaches movement as a way of navigating memory, imagination and human experience. her work explores what exists in between.
each class begins with a meditation through movement and guided improvisation, allowing dancers to access movement from sensation using tools and imagination. through imagery, storytelling and compositional tasks, participants are invited to cultivate presence, curiosity and creative agency.
anchored in flow, groove and circular energy, the practice develops a physicality that is both grounded and expansive. particular attention is given to negative space, musicality and the relationship between movement, silence and what we perceive as empty.
depending on the context, classes may include repertoire, improvisation laboratories, creative research and choreographic tools. each session aims to create a space where technique, imagination and personal interpretation can coexist.
creation intensive
created in paris and taking place three times each season, creation intensive was born from a desire to share the choreographic process from the inside.
rather than focusing solely on movement material, the program offers dancers access to the tools, questions and decision-making processes that shape a creation. participants are invited into an immersive environment where performance, composition, collaboration and artistic research intersect.
each edition is built around a different concept, format or creative framework. some projects culminate in a film, others in a performance, an installation or a collaborative creation. the intention is to create a space where dancers can experience the complexity of making work, while developing their own artistic voice within a collective process.
at its core, creation intensive is an invitation to step inside the creative journey itself: the doubts, discoveries, structures, accidents and transformations that turn an idea into a living work.
